PABLO
TAIN
DIRECTOR OF PHOTOGRAPHY
CICLOS
FEATURE/FICTION
Domingo’s solitary life in an abandoned village is interrupted by the sudden appearance of a child’s bicycle. Who brought it? What does it mean? This story is an allegory of death, blending magical realism and suspense. Shot with a Zeiss Master Prime 27mm lens in Scope to magnify the feeling of loneliness. Premiered at SEMINCI Film Festival 2024.
24
LAS LOSS
FEATURE/FICTION
This film tells the story of two young Berliners who find themselves stranded in Madrid during the pandemic. Love, passion, and memories in black and white. Natural light and a minimalist approach for this intimate yet powerful film shot between Madrid and Berlin. Directed by Emiliano Granada. Produced by Mero Colective (Berlin) and El Inquilino (Madrid).
24
DESGUACE
SHORT/FICTION
This short film follows a day in Laura’s life (Ingrid García-Jonsson) while she works at a junkyard, recalling what happened the night before at a farewell party. It features two distinct looks: a slow and tedious day, contrasted with a vibrant and colorful night, yet slightly blurry—just like the fuzzy memories of any great night out. We are very proud of this piece, which is making a fantastic run through film festivals. Directed by David Orea.
23
CAPITÁN CARVER
FEATURE/FICTION
Released in cinemas in 2023, this film follows a supermarket security guard on the verge of madness. By night, he becomes Carver, patrolling the city and fighting crime. Shot entirely at night, the film features a dark and gritty aesthetic, with a warm, sticky atmosphere reminiscent of an August night. Captured with handheld camera work and the iconic Kowa anamorphic lenses. You can watch it on Movistar+, Filmin, and Amazon.
22
YOGURFROUSEN
SERIES/FICTION
What can I say? Other than it’s the craziest idea you’ll ever see. Metaverses, series within series, and yogurt, of course. From an aesthetic perspective, each world has its own unique look. Different lenses were used—Cooke S2/S3, Optimo Zoom, and 1970s Varotal—to distinguish them. Various aspect ratios were also employed, along with extensive color grading work to achieve different finishes. Produced by Domingo Films.
22
THIS IS MY TRUTH DOCUMENTAL
Siempre intimida acercarse a la obra de un autor establecido y con una trayectoria como la de Isabel Muñoz, (World Press Photo, 1999 y 2004 y Premio Nacional de Fotografía 2016). Un seguimiento de su proceso creativo y su forma artesanal de trabajar. Combinación de imágenes en b/n y color siguiendo la estela y estética de su propio trabajo. Dirigido por Fani Konstantinou para Citizien Films.
20
THIS IS MY TRUTH
DOCUMENTARY
It’s always intimidating to approach the work of an established artist with a career like that of Isabel Muñoz (World Press Photo 1999 and 2004, and National Photography Prize 2016). This film follows her creative process and her artisanal way of working. A combination of black-and-white and color images, echoing the style and aesthetics of her own work. Directed by Fani Konstantinou for Citizien Films.
20
HIPERMAS
SHORT/FICTION
Two supermarket cashiers chat during a break, talking about life and the struggles of work. Typical? Perhaps nothing is quite as it seems. The story unfolds against flat, abstract backgrounds, allowing for decontextualization and a playful exploration of the narrative. Less is more. Directed by Acoidan.
20
NOS VALE CON LA NIEVE
DOCUMENTARY
A group of Peruvians living on the periphery of Madrid decide to travel to Russia to watch their national team in the World Cup. This film relies heavily on observation, with long, static shots where life quietly drifts in and out of the frame. The camera acts as a window into an intimate world, capturing everything with a look that feels as natural and unfiltered as possible.
19
KAAN KUN
SHORT/FICTION
Not everyone is joyful on their way to the altar. This story is told in a single take, set inside a car where the tension between the couple is unmistakable. It begins with a soft, natural aesthetic, but as sunlight and the shadows of passing trees filter in, a dramatic tension starts to build. Directed by David Orea.
19
ANABEL
SHORT/FICTION
A story of longing for better days and the bittersweet memory of first love, woven together through fragments and recollections. The film embraces a distinctly retro aesthetic, with blue tones inspired by the cinema of Jean-Pierre Melville. Shot in the classic 1.37 Academy ratio, using vintage 1960s Zeiss Superspeed lenses to enhance its nostalgic feel.
18
AURELIA Y JOSE
DOCUMENTARY
José Duarte, a founding member of Equipo 57, has recently passed away. His life is told through the intimate words of his wife, designer Aurelia Medina, in conversations set in the heart of Carabanchel, as well as through his paintings, brought to life through meticulous recreations. This project breathes life into his art, transforming his paintings into living photographs, inspired by Duarte’s masterful use of color, light, and composition.